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Kumārajīva and Dirersity of Qiuci Buddhism Grotto Art;鸠摩罗什与龟兹佛教石窟艺术多样化表现
With the spreading of Buddhism in China,Grotto comes into China and was gradually combined with the Chinese indigenous culture,the process of which has been recorded in the evolution of Grotto Art in China.石窟随佛教传入中国后走向了与中国本土文化结合的道路,石窟艺术在中国的演变记录了这一过程,石窟研究对于研究历史上的东西方文化交流、中国和印度的文化交流和中国古代建筑具有重要的价值。
The grotto art of Buddhism, originated from India and spread eastward through ancient Silk Road of China, has been selected and improved by Chinese native culture.起源于印度的佛教石窟艺术 ,经由我国古代的丝绸之路渐次东传 ,并积极地接受了中国本土文化对它的选择与改造。
The weathered damage of the carved stone art hasa relation to degenerative after-change process of sandstone.砂岩的退化后生变化过程与石刻艺术风化破坏密切相
Its artistic style also manifests the development vein of carved stone art in our country.神道石刻展现了我国雕塑艺术的重要成就,也体现了深厚的中国传统思想观念,以及视死如生的厚葬和封建的等级礼制,是我国古代石刻艺术的瑰宝。
Some famous gemstone artists and their works are introduced in the article.阐述了北美宝石雕刻艺术风格的形成与其创造灵感的渊源 ,介绍了北美宝石艺术家的雕刻工艺趋势和其作品的创意特点。
The producing area of Hecuba Juno application of pigmenton Dunhuang Grottoes art敦煌石窟艺术应用颜料的产地之谜
New Ideas in Chinese Cave Art of the Mount Baoding Caves大足宝顶山石窟对中国石窟艺术的创新──密教道场之研究
The grotto art also thrived with the introduction of Buddhism from India in the Southern and Northern Dynasties.石窟艺术也是南北朝随佛教东传而兴起的，
The Design and Realization of Metadata Standard for Dunhuang Grottoes Art敦煌石窟艺术元数据标准的设计及实现
Kumārajīva and Dirersity of Qiuci Buddhism Grotto Art;鸠摩罗什与龟兹佛教石窟艺术多样化表现
The Ancient Road and Western Scene Full of Colour and Pleasant-Looking;古道西风 彩韵斑斓——浅议克孜尔的石窟艺术
Being the early focus of Buddhism during the Northern Wei Dynasty, the Yungang Grottos had great influence on grotto art development in other Chinese areas.它作为北魏早期佛教艺术的中心，给各地石窟艺术以巨大的影响。
"Dunhuang grottoes are such important cultural and historical relics, I think there are many experts specialized in its study."敦煌石窟是极其重要的文化和历史文物，我想一定有许多专家专门从事敦煌石窟艺术的研究。
"The grotto art of different periods have their own distinct styles and characteristics, which has helped research work."不同时期的石窟艺术有其鲜明风格和特点，这对研究非常有帮助。
On the Emotional Factors and Image Medicine in the Frescoes Adapted from Buddhist Scripture of the Dunhuang Caves论敦煌石窟艺术《经变画》中的情志因素与形象医学
The Testimony of History in Cultural Exchanges between West and China --On the Artistic Features of the Longmen Grottoes in the Northen Wei Dynasty;东西方文化交流的历史见证——论北魏龙门石窟艺术
Grottoes Shuiliandong Artistic Characteristics and Cultural Connotations水帘洞石窟群的艺术特点和文化内涵
The Artistic Characteristics of Kizil Rock Cave "Jataka" Frescos and Their Influence on the Rock Cave Frescos of Inland;克孜尔石窟“本生”壁画的艺术特色及对内地石窟壁画的影响
A Study on the Artistic Symbols of Murals Painted on the Ceiling of Cave No.249 in Dunhuang Caves;莫高窟第249窟窟顶壁画艺术符号研究
Seeing The Southern Cultural of the Xi-Xia Mountain Influence Over The Dunhuang Art从栖霞山石窟看南方文化对敦煌艺术的影响
The Impact of Gandhara Statues on the Rock-cave Statues of China;犍陀罗雕塑艺术对中国石窟造像的影响
A Study of the Color and Plastic Arts of Murals in Bingling Temple and Maiji Mountain Grottoes;炳灵寺和麦积山石窟壁画色彩与造型艺术研究
Heavenly Decoration--Investigating the Early Decorative Art of Dunhuang Grotto;天国的装饰——敦煌早期石窟装饰艺术研究之一
